- Screening
Denise Ferreira da Silva & Arjuna Nauman
State and Nature performance program
Dates
- Fr 19.11., 18:00
- Sa 20.11., 18:00
Artists
- Denise Ferreira da Silva
- Arjuna Neuman
Language
- English
To the exhibition
Two video works by filmmakers Denise Ferreira da Silva and Arjuna Nauman will be shown as part of the performance program. While Nauman frames the works as an artist, da Silva's work as a philosopher and scientist is reflected in the films, for example in their themes of global relations including migration, violence, colonialism, and the destruction of the environment. The work of da Silva and Nauman, however, is not only captivating because of its apt, even uncomfortable lens on contemporary realities: Soot Breath/Corpus Infinitum (2021) and 4 Waters/Deep Implicancy (2019) both also stand out for their exceptionally clear cinematic style and impressive aesthetics.
The inaugural major exhibition under the new direction at the Staatliche Kunsthalle Baden-Baden, State and Nature,
will be prolonged until November 21, 2021 and continues with a leading
performance program. Composed of new commissions by Alexandra Pirici,
Regina José Galindo, Mehtap Baydu and projects specifically conceived
for Baden-Baden, the program brings together what defines contemporary
understanding of performance with specific notions, aspects, and
dynamics of the performance field.
From politics to choreography or social engagement to sound elements
and filmic space, it engages publics in many layers and methods of
remembering, forgetting, relocating and resetting through performative
tools of artistic research.
Çağla İlk and Misal Adnan Yıldız manifest their approach in their statement:
“We are feminist, queer, migrant, trans-political subjects. This program might be the source of disorientation, which Baden-Baden needs, or the point of distraction that this city demands. We see how Baden-Baden could become a conceptual stage for experimenting with everyday life. Even just sitting at the Lichtentaler Allee for an hour one might observe so many miracles of nature and orders of state happening around the Kunsthalle as part of everyday reality. This location is our muse, and the politics it brings, our homework...’’