Ludwig Berthold, Ohne Titel, wohl 1925, Bleistift und Pinsel in Deckfarben mit Deckweiß auf grauem Karton, 39,6 x 24,8 cm, Sammlung Prinzhorn, Foto: Medienzentrum Universitätsklinikum Heidelberg
Chen Zhe, The Bearable: Body/Wound #014, 2008, archivarischer Pigmentdruck, 29 x 43 cm, Courtesy die Künstlerin, © Chen Zhe
Jim Shaw, Dream Object (A woman student had sculpted oversized human legs made out of fiberglass which had rough edges to simulate the effect of traps on animals), 2007, paper, chicken wire, foam, acrylic paint, 138 x 34 cm, Courtesy of the artist and Metro Pictures, New York
Jorinde Voigt, Synchronicity III, 2015, Tinte, Tusche, Federn, Ölkreide, Pastell, Bleistift auf Karton, 182,5 x 252 cm, Courtesy die Künstlerin und KÖNIG GALERIE, Berlin/London, © VG Bild-Kunst, Bonn 2019, Foto: Roman März
Samara Golden, The Meat Grinder’s Iron Clothes, 2017, The 2017 Whitney Biennial, Whitney Museum of American Art, New York, Installationsansicht, Detail, 4.3 x 10.1 m, Foto: Samara Golden
Kader Attia, Reason´s Oxymorons, 2015, Video Still, 18 Filme auf 18 Monitoren, 12-25 Min., Sammlung The Hood Museum of Art, Dartmouth College, Courtesy der Künstler, Lehmann Maupin und Galerie Nagel Draxler, © VG Bild-Kunst, Bonn 2019
Wang Tuo, The Interrogation, 2017, single channel HD video, (color, sound), 18:35 min., Courtesy: Wang Tuo and White Space Beijing, © Wang Tuo
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